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edward.maurath

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
Bassoon Continuo	22	0	7	5	99%
Oboe d'amore	27	0	10	5	91%
Violini	27	0	10	5	91%
Violoncello Continuo	21	0	6	5	89%
Alto	17	0	6	6	65%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

HWV63A1N4 - "From this dread scene" in g minor

edward.maurath

3:00	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
Contrabassi Continuo	22	0	8	5	100%
Violoncelli Continuo	22	0	8	5	100%
Violoncello Continuo	22	0	8	5	100%
Alto	16	0	4	4	71%
Soprano	17	0	6	4	65%
Violini 1	22	0	7	5	53%
Violini 2	23	0	9	5	53%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

BWV245N16 - Da Führeten sie Jesum von Kaiphas vor das Richthaus

edward.maurath

5:57	Est. Play Time
80	Measures
	2,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
	23	5	8	6	66%
FlautI TraversI	23	0	8	3	58%
Violin 1	23	0	8	5	58%
Alti	16	0	6	6	56%
Bassono Grosso Continuo	21	0	7	5	56%
Bassoon Continuo	22	0	7	6	56%
Contrabassi Continuo	21	0	7	5	56%
Oboe 1	20	0	7	5	56%
Oboe 2	16	0	6	6	56%
Soprani	20	0	7	5	56%
Violin 2	16	0	6	6	56%
Violoncelli Continuo	22	0	7	6	56%
Tenori	18	0	7	4	55%
Viola	18	0	7	4	55%
Violoncello Continuo	17	0	5	5	48%
Cembalo Continuo	19	43	7	7	41%
	17	0	5	7	41%
Evangelista	16	0	6	5	31%
Pilatus	13	0	5	4	15%

K 492: Number 24, "Il caproro e la caprella,"

edward.maurath

3:13	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
Violas	17	0	3	9	99%
Celli	19	0	6	5	98%
Contrabasses	16	0	4	4	90%
Marcellina	14	0	3	11	79%
Harpsichord	11	9	0	4	28%
	13	7	1	4	29%

HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major

edward.maurath

4:44	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	4	5	7	78%
	23	12	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	4	5	7	78%
	23	12	6	6	99%
Harpsichord	17	4	5	7	65%
	23	11	6	6	99%
Continuo	21	0	5	7	99%
Vln 1	16	0	4	7	79%
Vln 2	17	0	5	7	79%
Celli	19	0	3	6	62%
Contrabasses	22	0	3	6	62%
Cornelia	12	0	3	7	62%
Flute	13	0	4	7	59%
Violas	16	0	4	7	56%

HWV8A0N05 - "Di parnasso"

edward.maurath

5:43	Est. Play Time
118	Measures
	1,113Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	43	8	6	93%
	23	29	7	9	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	43	8	6	93%
	23	29	7	9	96%
	27	3	7	6	98%
	23	4	6	9	90%
Violoncello	26	0	7	6	98%
Erato	15	0	3	9	65%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
Harpsichord	21	2	4	5	100%
	24	10	7	6	100%
Celli	21	0	4	5	100%
Continuo	21	1	4	5	100%
Contrabasses	21	0	4	5	100%
Vln 1	23	0	5	5	98%
Vln 2	19	0	4	5	98%
Castrato as Sesto	15	0	3	6	80%
Flute	13	17	2	4	25%

HWV56N33 - Lift up your heads, O ye gates

edward.maurath

3:42	Est. Play Time
78	Measures
	1,474Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
Violin I	23	0	3	7	99%
Tenor	13	0	2	7	86%
Alti	8	0	1	7	84%
Organ Continuo	20	4	4	7	81%
	21	1	3	7	83%
Cello Continuo	22	0	4	7	83%
Violone Continuo	21	0	3	7	83%
Soprani	11	19	1	7	78%
Bassi	15	0	2	6	74%

HWV56N39Z - Break forth into joy

edward.maurath

2:46	Est. Play Time
111	Measures
	1,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
Vln 2	25	0	7	6	93%
Vln 1	27	0	10	6	92%
Sop	14	0	5	5	90%
Basso Continuo	17	0	5	5	87%
Celli	17	0	5	5	87%
Contrabass Continuo	17	0	5	5	87%
Alt	11	0	3	5	85%
Bas	15	0	5	5	85%
Vla	16	0	5	5	85%
Ten	13	0	5	5	82%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%